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Review
"Soyinka, brilliant as always, clearly and succinctly introduces the reader to the political situation of his native Nigeria....An important book and absolutely essential in understanding the crisis that faces not just Nigeria, but Africa as a whole."--Emerge"Crammed with vivid observations that will add life to moribund, academic debates over national identity....By the last page of Mr. Soyinka's book, I felt myself both enriched and exhausted."--Robert D. Kaplan, The New York Times Book Review"Soyinka's political writings have always combined polemical force with expository grace, and his stinging characterization of Nigeria as a failed state is no exception."--Foreign Affairs"His words command attention and respect....In clear prose, it sketches the vicissitudes of Nigeria intermixed with global topics."--CHOICE"Provides valuable, in-depth, as well as introductory, information on Nigeria....The Open Sore of a Continent is a timely addition to world affairs and the state of nations. Failure to heed Soyinka's words and insight could prove costly to a world that has seen too many Bosnias, Chiles, and Somalias."--Copley News Service"Tak[es] full measure of the predicament of African's most populous country....For the reader, what is perhaps most interesting is Mr. Soyinka's colorful account of how Nigeria, the world's seventh largest oil producer, and a nation that less than a generation ago seemed on the verge of industrialization, fell back into the ranks of the world's least developed countries and has become a near-pariah state."--Howard W. French, The New York Times"The 1986 Nobel laureate uses his country's reversion to dictatorship to examine the very concept of nationhood, in which he still sees possibilities."--The New York Times Book Review (And Bear in Mind)"The Open Sore of a Continent is crammed with vivid observations that will add life to moribund, academic debates over national identity. Its narrative is applicable not only to postcolonial Nigeria but to the former Yugoslavia and the former Soviet Union as well, places where institutional and economic decline sharpened ethnic divisions and cracked the facades of imposed national identity. By the last page of Mr. Soyinka's book, I felt myself both enriched and exhausted."--Robert D. Kaplan, The New York Times Book Review"These powerful essays offer a disturbing portrait of a nation operated for the benefit ofa narrow oligarchy and thoughtful musings on the nature of nations."--Booklist starred review (November 1996)"Nobel Prize-winning Nigerian playwright and essayist Soyinka has been protesting the horrendous and tragic politics of his native country for more than 30 years, and the sting of his lashing wit, depth of his profound knowledge, heat of his rage, and beauty of his eloquence are all evident in this instructive and bracing jeremiad."--Booklist"An eloquent voice of protest against Nigerian authoritarianism and keptocracy....Here, [Soyinka] collects previous lectures in which he describes Nigeria's recent predicament, condemns the country's illegitimate leaders and, muses about questions of nationalism and international intervention."--Publishers Weekly"Nobelist Soyinka takes on the despotic regime of his native Nigeria in this series of scathing jeremiads....As Soyinka traces the roots of what went wrong in 1993, he also meditates on the meaning of nationalism and nationhood. This is a vital issue for a country as divided as Nigeria, its arbitrary borders enclosing innumerable tribes as well as three major religions."--Kirkus Reviews"Soyinka's main subject is nationalism, and his fearless discussion of its vicissitudes will likely be the most lasting contribution of this book. Africans are not the only people who need to rethink the idea of the nation; Soyinka in his bravery gives all readers a chance to examine the meaning of late-century patriotism."--he Village Voice"Soyinka's powerful prose brilliantly sketches the dilemmas plaguing Africa's demographic giant and reveals the stark choices facing Nigeria....Soyinka's political writings have always combined polemical force with expository grace, and his stinging characterization of Nigeria as a failed state is no exception."--Foreign Affairs"This remarkable collection of essays...often assumes a prophetic air--a kind of prophecy akin to that of Old Testament seer, who were given as much to social and political analysis as they were to predicting the future--and reveals that there is hope is places like Nigeria, contained in the tireless quest for humanitarian civility in the face of corruption and dastardly political intrigue."--The Washington Post"What finally gives this small, intense volume such ethical authority is that Soyinka's vision is addressed to the human race. He leaves no doubt that the line in the old Nigerian national anthem--though tribe and tongue may differ, in brotherhood we stand'--could and should apply to all of us."--Worldview
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About the Author
Wole Soyinka, an internationally acclaimed playwright, essayist, and memoirist, was awarded the Nobel Prize for Literature in 1986. In exile from his Nigerian homeland, he is currently Woodruff Professor of the Arts at Emory University, Atlanta.
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Product details
Series: W.E.B. Du Bois Institute
Paperback: 176 pages
Publisher: Oxford University Press (August 7, 1997)
Language: English
ISBN-10: 0195119215
ISBN-13: 978-0195119213
Product Dimensions:
5.3 x 0.6 x 7.9 inches
Shipping Weight: 3.2 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#1,411,393 in Books (See Top 100 in Books)
This is a short book, but very difficult to read. This is surprising since the author has a Nobel prize for literature. It is also rather dated. The author writes about his feelings after the military dictator Abacha annulled the election of June, 1993. Several months later, Abacha hanged another noted author. Soyinka writes about the wasted life of Nigeria under the various military dictators. He predicts that if the military dictatorships continue, Nigeria will break up into pieces, and there will be nothing left to argue over. He also details the military and political kleptocracy that has taken over Nigeria since independence. Things have gone to the worst state imaginable, and only democracy will cure this.I found myself laughing at some points in this book because the author has a way of detailing how he feels about the military dictators who have run his country. He makes them out as idiots.The author uses complex language and assumes the reader has some knowledge of Nigerian politics. Therefore this book is not for the lay reader. A difficult read.
This book by Wole Soyinka is reccomended for anybody who is remotely intersted in finding out how a nation that was once on an upward tragectory in the 60's & 70's has wound up being a confused and financially bankrupt nation inspite of being the world's sixth largest oil producer.He introduces the dramatis personnae in a way that is uniquely Soyinkaesque.It is actually a collection of essays that has as it,s main theme the annulment of the June 12 presidential elections,other issues explored include the National question which has come to the fore after the annulment and the collapse of all infrastructure-Education,Health,Agriculture.He also discusses the mistrial and eventual judicial murder of Ken Saro Wiwa.This is butressed by the report of the Queen's counsel who observed the trial.The earler political experience is also visited i.e the 1979- 83period.The book is aptly dedicated to the conscience of the nation the late Dr Tai Solarin.The book is highly reccomended but not for the linguistically challenged.
I read the book with the goal of learning more about Nigeria and its people. Obviously this book is from a very biased source, however, in reading of the horrors in his native land his bias is understandble and only logical. There is a lot of pathos, intense emotions in his description of the crisis in Nigeria. As a scholar/journalist I like to hear all sides of a complex issue so I feel like I've heard one perspective from a first-hand witness after having read this book.As some of the other reviewers have pointed out, unless one is familiar with the key players in Nigerian politics it is difficult to grasp totally what is being discussed. Also, since the book is composed of various presentations given elsewhere it lacks a certain amount of cohesion.With that aside, I feel like I know a little more about the country after having read it. The book isn't long. As I read more I hope to understand more of what is taking place in that country. I want to be part of an informed public that can help do something about the plight of victims of dictators.
Wole Soyinka is one of the foremost African literary giant of modern times. He has an intellectual stature that seems to diminish his critiques. To Wole's credit this book ranks among one of his best work- this is simply because it is readable. The reduction of noisy elements by its simplicity of expression makes it one of his finest piece to date, at least I was spared the pain of reading the Kongi King without a dictionary by my side. The book- understandably like his later work to date- The Burden of Memory, The Muse of Forgiveness- is the prooduct of lectures put together, hence one can forgive its lack of structural cohesion. Nonetheless, Soyinka brings to the fore the African crises of leadership and the dearth of critical appraisal of existential situation by African leaders. In as much as the text depicts examples it preoccupied itself with the Nigerian situation. Unfortunately, therefore, Soyinka risks tying the African destiny with the Nigerian fate- the totality of the African situation is much more multilateral than the unilateral reference to a singular polity Nigeria. As if this is a a new pattern for the Kongi King he keeps limiting himself to the extent that even the Nigerian situation was tied to the fate of his Yoruba nationality- ethnic group. This is not surprising since the Kongi Warrior has been sliding narrower from that of being an international figure to one preoccupied with being a national hero( a national road safety marshall) and now a nationality figurine. Our marshall therefore has taken a course that simplistically narrows the whole issues that affects Africa to particular issues that affects him. Unfortunately, the Kongi hero is still speaking and relating factual mattter, and so should not be taken lightly. The problem with Africa is one of political and economic leadership-a bedevilled breed of satanic monster that do not want to see smiles on the face of the citizenry. It is in this domain that the Kongi Chief should be better understood. Yes! His limitation of African issues to Nigerian examples and ordered toward his Yoruba nationality cause is also theatrical. As a dramaturgist he understands that the whole world can be a theatre but that an effective drama has to be limited to a spatial confine to produce impact. It is on such note that the Kongi chief points to the negative imagery of defective political machinery in Africa as gross and in critical need of resolution. It is this fact that makes this work- The Open Sore of a Continent- very fascinating for herein Soyinka combines facts with his dramatic humour for the sake of effect. While one may not totally agree with some of Soyinka's reasoning or conclusions one cannot but wave his thoughts aside.His vision is deep and profound. This work is a must for all who want to understand the critical dearth of development- political, economic and social- that affects and afflicts the soul of most- if not all- African nations today. It is a must to read this book, yet the judgement remains with the reader. But we must see how much we can pull out from the mustache of this singular revolutionary- the Poetic and dramatic democratic soldier. Happy Reading!
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